Having tried white on black in the portraiture class, I thought I’d see how it might transfer to other subjects. The native flower that caught my eye has large bunches of very, very, white-yellow stamens. These would be very difficult to see against a white ground. But on black…
This first one was done with watercolour using a very small brush:
The problem with this is that even with the small brush, the stamens are too thick, and it is hard to convey the fact that there are very many of them. So these next two, done in coloured pencil, are to my mind more successful:
With Cresside Collette at her intermediate workshop at the Australian Tapestry Workshop on 13 and 14 June:
I bit off a bit more than I could chew on this one – in my haste to get a full 20×15 cm done in two days I made a number of errors. There are several instances of jumped warps and I probably spent too much effort on the blue and green soumak ‘whip-lashes’. But overall I am pleased to have got some decent colour gradation going on, which was the focus of the workshop. Thanks, Cresside!
With Julie Mcenerny at her Watercolour Pencil Botanic Drawing workshop at the Cairns Botanic Gardens on 1 July:
Not quite A3 size, this drawing of jackfruit again a bit too large to let me get it to an adequate state in the five hours available – I had to skimp on the smaller fruit and the buds. Next time I’ve got to remember to keep the scale small.
Untutored life-drawing group meeting at James Cook University, 27 June:
Not really competition for Henry Moore!
Life-drawing group, 4 July:
Ok for a quickie.
A folded bean-stuffed heat bag – capturing the texture:
… with one eye on the TV!